Sunday, 1. February 2009

Vienna: Final Spurt

There are less than two weeks left until I'll be going home and I thought it would be nice to show you my Vienna animation reel. I didn't work on stories or concepts, I just tested some techniques and solved some technical problems. It was interesting because I worked under a rostrum camera here which is totally different to a camera on a tripod in front of your set. I really enjoyed doing cut out animation, it's a simple but challenging technique. I like such things. It was also important to me to try this because of its further usage in my Orpheus project: there's a part when Orpheus is going down to the Underworld to rescue his beloved Eurydice from death and I'm going to do this part in silhouettes. I was wondering if I should do it by hand or digitally, but now I am pretty sure that I'd like to do it with oldschool cut out animation.

Besides that "classical" stuff, I got deeper into digital keyframe animation which is interesting but totally different with its workflow. I was working with Toon Boom Studio, After Effects and Flash Professinal, not to forget with Pencil and Blender. I think I now have a good overview of what is possible with animation and what's the advantage or limit of each technique and how you might combine them.
One of my most favourite techniques was working directly on film... It was great! Film has such a strong visual quality which is just beautiful, especially if we worked on black film leader and the light shone through the scratches and wounds of the black material during its screening... I loved that!

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At this point I'd love to recommend an amazing book to you: The Animation Bible by Maureen Furniss

Maureen Furniss – who is an animation historian – wrote about nearly every possible animation technique. She explains so many things and this book is a good foundation to everyone who is interested in animation generally. It accompanies me during my time in Vienna and I worked my way through it. I found it very helpful. The book also provides exercises at the end of every chapter, lip sync, for example, or Pixelation or Flash animation and is referring to the workflow of animation artists. It's more llike a reference book or a lexicon which you could take out from time to time and have a look at. Have a look at its German Amazon website for details.

Comments

Michael wrote on Sunday, 1. February 2009 at 18:30:

Cut-out, puppet, drawn, shilhouette, digital...you are clearly working on something and have a goal. Nice to see all that progress. Have you ever tried out sand animation? It's not actually stop-motionananimation, but it sure can be used for it: http://www.youtube.com/watch?v=4akNUE_lyfc
So, all the best...
Besides: Happy National Gorilla Suit Day for you too!

Shelley Noble wrote on Monday, 2. February 2009 at 00:15:

WOW! I dearly loved all the clips in your reel, Jessica. And I can tell from what you wrote, you've learned a great deal in a short period.

Congratulations and thank you for sharing your journey with us.

Checking out the book too!

Jessica wrote on Monday, 2. February 2009 at 14:24:

Yes, it was an amazing time and I'm really glad having done it...

Hopefully, I'm going to find new topics I could write about... ;)

justin wrote on Monday, 9. February 2009 at 23:25:

excellent work Jessica!

the more methods of animation the better!

jriggity


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